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© Joy S. Berger, Louisville,
KY, 9/23/2001. All rights reserved.
Please give credit if reprinted or distributed.

HEALing TECHNIQUES: Hear, Explore, Affirm, Learn
Hear
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Listen to your own life-journeys of loss and healing. What
music captures those moments for you? |
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Hear the everyday "music" in the sounds brought into your
music room (or other setting). Do you hear chaos? Laughter? Anger?
Despair? Anxiety? Comfort? Hope? |
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Match It and Move It!
Find/play/sing/lead music that matches the present
emotion. Move the emotional tone with a an appropriate contrasting
piece. Caution: Don't just yank others' emotions and
experiences around. (Examine "CORE
Values.") Continue to tune in --- to truly "hear" and
see others' responses. |
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Listen for musical nuances of expression, emotions, and
meanings. Don't
assume another's interpretations. Sensitively ask. As a
musician, you can experience and lead others in "aha" moments of
musical and internal interpretation. |
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"Bigger" isn't
always "better." Be willing to cut back toward simplicity,
as well as to "pull out the stops." Go for the meaning,
not just the glitz. |
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Listen to silence.
Create silence. Move into the silence of your soul. |
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Create a ritual moment of sound at the beginning and/or ending of your
rehearsals or concerts. It may be a particular sound (like a chime)
followed by a moment of silence, or a drum, or a song that signals
"this is our time together." Such a ritual can create an
ongoing security, trust, and a continuity of community. Keep it
simple. If applicable, let others take turns in leading the ritual. |
Explore
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Explore emotions,
associations, images connected to a particular piece of music. (This
can be a great community builder, and tool for personal reflection.) |
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Closely examine texts, images,
and moods of the music you present. What new emotions and meanings
are stirred by today's contexts? What might they stir in the near
future? Select and use with wisdom and care. |
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Ask your musicians, "what
music brings you comfort?" "Energizes you?"
"Let's you cry deep inside?" "Brings you
hope?" |
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Ask your musicians, "If
there's a time or place or person in your life you'd like to revisit, what
music would take you there?" |
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In a smaller group, pass
around a simple, user-friendly instrument, that can create many different
sounds. (A drum works great!) Invite each person to strike, strum,
tap, play it however they want (about 10-15 seconds each), to express
"where they are" right here and now. After everyone has
played, invite members to share the meanings of their sounds. (Takes
about 10 minutes.) |
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Use musical metaphors to
explore grief experiences. (Contact Joy Berger for more specifics.) |
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Create a wide variety of
musical experiences through singing, playing
instruments, moving/dancing, composing, listening to music, and
dialoguing about meaningful musical experiences. Different
personalities need different modalities: visual, auditory, vocal,
motor, reflective, tactile, imagery, etc. |
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Assist in "re-collecting" memories by creating a musical
scrapbook (group or individual) that captures and communicates the
person's story, emotions, and meanings related to the loss. |
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Pair music with photographs,
VCR tapes, paintings or other visual images to integrate auditory and
visual responses. (Honor copyright laws as applicable.) |
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Similarly, pair music with
movement, art activities, etc. to add tactile/motor responses. |
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Encourage writing new words or creating musical variations to
familiar music. (Honor copyright laws as applicable.) Tap
into both grief and hope. |
Affirm
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Affirm others' personal
expressions through music with less of a critical, judgmental, performance
ear, and with more of a compassionate, common-experience ear.
Find a healthy balance between typical musical critique and the heightened
needs for positive, self-affirmation of your musicians (and
yourself)! Yes, call forth excellence in musicianship. Do so
with empowerment, not shame. Teach. Call forth the other's
best. Motivate. Don't blow out the life-spark
within! Protect it and fan it into a soul-flame! If you struggle with this, dare to ask yourself,
"who was critical of me?" "Did my personal
expressions through music ever get damaged by someone else's
critique?" "How can I heal my own wound?" "How
can I reflame
my own soul-music?" |
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Create a graffiti wall or
ongoing list of music where your students, singers, instrumentalists,
dancers, etc. can write down titles of music they find meaningful through
these difficult times. A great starting place can be music that has
already helped them through tough times. Affirm diversity of expression. Use this as a
tool for calling forth and validating each others' "soul
music." (See
CORE Values, above.) |
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In litany form, write a group reading, alternating leader/group readings with
a brief musical refrain. Involve your group in the writing and
presentation of it. It can be used in rehearsal time with each other, or in
a concert setting with audience participation. |
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Much further into the healing
process of a significant loss, re-hear a specific piece of music that
evoked an earlier catharsis. Explore together previous emotional
responses to the music that have now shifted, changed or been transformed. Affirm
the person/group's grief journey and growth. |
Learn
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Learn about grief.
Educate others about grief through your musical rehearsals, concerts, and
leadership. |
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Let your music history
training inform you about previous composers' contexts of grief. Bring
bits of that awareness into rehearsals and performances. Bring new
life to the life of your music! |
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Using any of the above "HEALing
Techniques" or "CORE Values" (below), continue to
explore, express, and learn from your ongoing losses, griefs, and
rebirths.
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CORE Values:
Care
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Base decisions of music from an inner core of care
--- over and above standards of performance or one's own personal
tastes. What do you hope the music will provide? Stir?
Express? What cautions do you need to be aware of? Then ---
after the prioritizing, carry out those decisions with the best musical
quality you can give. |
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Hear, affirm, and use music from the cultural,
religious, and meaning-base "core" of the persons involved. |
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Allow for personal and community participation
(listening, providing texts, singing, playing, movement,
creating). Again, keep musical elements within the world of the
persons involved. |
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When verbally introducing music, never assume or tell
another what s/he "should" be experiencing, feeling, thinking,
believing, or moving toward. Naming different kinds of experiences
can validate both diversity and community within the room, and varied
responses within the self. However, such experiences should
never be imposed. |
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Be sensitive to the speed and
power with which music can stir emotions. Provide an emotionally
safe, trusting environment for your musicians and audience. Allow
yourselves to be human with each other. |
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As a music leader or
performer, if you feel detached or preoccupied in the midst of leading or
performing, allow yourself to re-experience the music later, intentionally
tuning into your own responses. You might do this through hearing a
recording of the service or performance, reflecting on the program,
playing the music at the piano, or quiet reflection; whatever fits for you. |
Ownership
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Know, affirm, and cherish your own music --- as being uniquely yours.
It is your music of your soul. Hear the
memories, meanings, and values it holds for you. Trace your
favorite music to its deeper roots within. What emotions does it
stir? What memories does it call forth? What meanings from
your past and for your future does it bring into your present --- your here and now? |
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Likewise, honor the music of another's life-story,
culture, religion, experiences, and meanings. Honor, affirm,
validate the other's experience as his/her own, not yours. Let
yourself learn from another in the midst of your different
life-experiences. Let yourself stretch, grow, and understand. |
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The above applies as well to selecting music for
funerals, memorial services, rituals, etc. Affirm
"ownership" of a community's heritage of music.
Most services
of grief, remembering, memorializing are in places of religious worship
or public, community gatherings. Some are in workplaces, or smaller more private
settings. Whatever the setting, maintain an integrity to the
hospitality and role of the setting (school, church / synagogue / temple, town hall).
For example, don't assume or impose one's own religious convictions onto a
public, multi-cultural gathering. Find a
congruence --- a meeting ground --- a coming together of philosophy,
policy, and practice. |
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Know, attend to, and learn from your own
losses and grief.
Don't transfer your experiences and assumptions onto someone else.
Maintain a healthy empathy. Avoid a distancing, over-under, or
enmeshed "sympathy." |
Respect
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Respect another's emotional boundaries and
timetable. Emotional defenses, denial, and resistance / protection
all have their appropriates place in the big picture of healthy
mourning. In the words of Paul McCartney, let another
"be" --- let them "be" where they are. Like
Job's friends (from the Old Testament) in those first 7 days, "be
with them." As the psalmist wrote, may another feel from you
that "through the valley and the shadows of death, you are with
me." |
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Respect another's musical tastes, expressions, and
reflections, even if they differ from your own. (Most all of us
are extremely protective and opinionate about our music! We know
what we do and don't like!) Ask, "Tell me more."
"What memories or emotions does this music stir for you?"
"What does it mean to you now?" "Help me
understand." Allow the differences to learn another's
background; to "get" and grow from their essence, their
"who they are." |
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Especially in your leadership
role, respect another's privacy. Avoid gossip or
hearsay. Stay with validated facts. Treat another's life and
loss with integrity, not intrusion. Do not re-victimize persons by
spreading false information. Do be responsible and accountable for
what information you give where. When possible, ask the
person for permission, and what information or needs one does (and does
not) want given out. |
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Respect our larger, more universal, spiritual realm.
Develop a healthy respect and ability to voice what we do not know, can
not fix, and can not heal. In doing so, we allow ourselves to more
truly find what we can do, be, give, and receive. |
Empowerment
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Seek a power and courage for what you can do, a
surrender and serenity for what is beyond your control, and a wisdom to
know the difference. (Adapted from the Serenity Prayer) |
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With persons experiencing
loss, ask not only "what do you need?, " but also
"what do you not need?" (For example,
"I don't need others telling me what I should be
feeling.") Put out
suggestions, but truly hear and respect the other's response. |
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Seek whole truths, not mere sentimentality. This
especially applies to selections and uses of musical texts, moods, and
settings. Music can
move into one's core depths with speed and power. Be responsible,
sensitive, and accountable. Avoid manipulation.
Tune into emotional well-ness and health, not a pathology of pity. |
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Acknowledge and respect your own emotional boundaries and
timetables. We have each other because no one of us is able to do
or carry it all! Know your power and powerlessness. Refill,
restore, renew your own energies within -- mental, emotional, physical,
and spiritual. |
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Hear, nurture, protect, sing, play, and compose your music of your soul! |
© by Joy Berger, DMA, BCC,
MT-BC
Louisville, KY, USA;
Sept. 23, 2001. All Rights Reserved.
Visit
www.musictherapy.org
for the American Music Therapy Association
for music therapy information,
research, referrals, resources
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